He calls himself an icon of Haitian music, a legend, Haiti’s Santa Claus. Singer-songwriter Lionel Benjamin appeared on the morning show “Panel Magik,” which has been running a series of broadcasts to mark 70 years of compas. In a conversation filled with anecdotes, laughter, and advice for younger artists, the singer reflected on his 55-year career. He has witnessed many turning points in the evolution of compas, created by Nemours Jean-Baptiste, yet he remains convinced that “compas belongs to us.” To further enrich this rhythm, which has spanned generations, Benjamin believes artists must draw from Haiti’s inner wealth: 51 folkloric rhythms and a rich history marked by a revolution that overthrew slavery.

Born in 1945, ten years before the rise of compas, Lionel Benjamin witnessed many of the genre’s golden years. Before discussing the style, Benjamin first offered thanks to “Nemours Jean-Baptiste,” saying that the rhythm Nemours created has become part of Haitian identity. “This rhythm is like the heartbeat of a human being. The way the double bass resonates.”